Money

(for John Berger)

Until this grisly season
of forced good cheer, I had come
to my fortieth year with-

out thinking of money
as more than something to buy
time with, enables its possessors

to go on and do what they
deem most important to get
done before our cruelly

limited life-span drives home
its final...tour-de-
force.... The season is--

the season. Gluttony frees everyone
to lapse into silence or
indulge in banter so impersonal

those with the least
to say--flourish--as lights
enhance the winter trees.

Then this Christmas
card arrived, postmarked from the town
where my wife spent her teens.

I took one look and looked away.
And left it on top of the pile.
She came in, took one look,

and said oh my god.
It was something about what the card
signified. Money

joined hands with philosophy:
the card moved us somewhere
beyond language; her

exclamation was homage to being
wordless in the world.
I didn’t dare calculate the cost

of having the children’s
portraits painted and then
photographed for the card.

Looking at the triptych
from left to right a figure emerges:
the older you become the more

power and confidence you will
have. I don’t think I have
progressed beyond

the panel on the left:
the hesitant expression
of the youngest child

beside a storm-colored urn.
Not even the portrait artist
can disguise the slight

rigidity in his posture,
the way his arms do not
dangle freely but conform

only outwardly to the pose
that has been chosen
for him--as if he were

saying here, take my
shell, I’ll hold on
to my soul, thank

you
--or am I too much
projecting my way
of keeping myself to myself

when as a child someone I
hadn’t authorized was looking at me
with a design, or about

to shoot my picture
and the timing was off
and I wanted to be

elsewhere: out
of my body.
My wife’s long hair fell over the mail.

A Christmas card sent
in all innocence. With the best
intentions! I put my arm

around her waist, my hand
on her hip (--I knew how hard
she was taking the triptych--)

while we greeted each
other in the dark foyer, her
winter coat--still--on her back....